Nationalism (PKC - Polity Key Concepts series) Review

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Nationalism (PKC - Polity Key Concepts series) ReviewProfessors John Hutchinson and Anthony D. Smith, both at the London School of Economics, have put together here a great collection of texts from the major writers on nationalism over the last 100 years. Starting with Ernest Renan, Joseph Stalin and Max Weber, the book also includes extracts from Benedict Anderson, Walker Connor, Partha Chatterjee, Karl Deutsch, Ernest Gellner, Liah Greenfeld, EJ Hobsbawm, Donald Horowitz, Elie Kedourie, Hans Kohn, James Mayall, Tom Nairn, and Anthony Smith himself, in addition to many others. As in Smith's _Nationalism and Modernism_, all perspectives of the field are represented here. There are 49 essays organized into seven chapters, complete with an introduction to each plus notes, a bibliography, information about each author and an index.
This book is a definite must for anyone interested in nationalism.Nationalism (PKC - Polity Key Concepts series) OverviewFor the last two centuries, nationalism has been a central feature of society and politics. Few ideologies can match its power and resonance, and no other political movement and symbolic language has such worldwide appeal and resilience. But nationalism is also a form of public culture and political religion, which draws on much older cultural and symbolic forms.
Seeking to do justice to these different facets of nationalism, the second edition of this popular and respected overview has been revised and updated with contemporary developments and the latest scholarly work. It aims to provide a concise and accessible introduction to the core concepts and varieties of nationalist ideology; a clear analysis of the major competing paradigms and theories of nations and nationalism; a critical account of the often opposed histories and periodization of the nation and nationalism; and an assessment of the prospects of nationalism and its continued global power and persistence.
Broad and comparative in scope, the book is strongly interdisciplinary, drawing on ideas and insights from history, political science, sociology and anthropology. The focus is theoretical, but it also includes a fresh examination of some of the main historical and contemporary empirical contributions to the literature on the subject. It will continue to be an invaluable resource for students of nationalism across the social sciences.

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Language and Identity in the Balkans: Serbo-Croatian and Its Disintegration Review

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Language and Identity in the Balkans: Serbo-Croatian and Its Disintegration ReviewGreenberg's book is an accessible, informative and thought-provoking presentation of the effects of nationalism on language of Bosnians, Croats, Montenegrins and Serbs. My only regret was that it seemed somewhat short but this is a minor quibble and does not detract from the objectivity and clarity of Greenberg's analysis. This is highly recommended for anyone interested in sociolinguistics and nationalism, those studying BCS (i.e. Bosnian-Croatian-Serbian) / Serbo-Croatian and would like some background information on the controversies that have arisen when using the language(s), or for people from the former Yugoslavia who are receptive to outsiders' analysis and willing to go beyond the nationalist preconceptions that they have grown up with.Language and Identity in the Balkans: Serbo-Croatian and Its Disintegration OverviewAgainst a backdrop of the ethnic strife in the Balkans and the collapse of Yugoslavia in 1991, Robert Greenberg describes how the languages of Croatia, Bosnia, Kosovo, Serbia, and Montenegro came into being and shows how their genesis reflects ethnic, religious, and political identity. His first-hand observations before and after Communism offer insights into the nature of language change and the relation between language and identity.

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Montecore Review

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Montecore ReviewAbbas left Tunisia to settle in Stockholm. Over eight years ago, he vanished. An email from Kadir of Tunisia to first time published novelist Jonas Khemiri offers an intriguing proposition. Kadir claims to have been Abbas' best friend at a Tunisian orphanage while Jonas is Abbas' adult son. The former wants to collaborate with a latter on Abbas's biography.
Abbas came to Sweden without a krona to his name or an identity beyond orphan as he fell in love with a flight attendant. With money lent from Kadir, Abbas follows his beloved to Stockholm, where like a Cinderfella they marry and raise a family. However, the North African fails to adapt to life in Sweden and worse is unable to support his family as a photographer as xenophobic Swediot bigots vandalize his studio. Frustrated in his attempts to fit in while his son taunts him, he gave up and disappeared only to become world recognized as a superstar in New York.
This is an excellent look at modern Swedish society's so called melting pot in which one prime ingredient is acceptable in the stew; though this could be just about anywhere with few true international cities. The story line is driven by Kadir and Jonas who share commentary on Abbas. However, what makes the novel superior is the Tunisian-Swedish dialect (incredibly translated into English by Rachel Willson-Broyles) as readers will believe Abbas is a real person whose journey from frightened child to world accolades starts in Tunisia, goes to Sweden and ends in New York.
Harriet Klausner
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