Genetic Criticism: Texts and Avant-textes (Material Texts) Review

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Genetic Criticism: Texts and Avant-textes (Material Texts) ReviewGenetic Criticism: Texts and Avant-Textes edited by Jed Deppman, Daniel Ferrer, Michael Groden (University of Pennsylvania Press) introduces English speakers to genetic criticism, arguably the most important critical movement in France today. In recent years, French literary scholars have been exploring the interpretive possibilities of textual history, turning manuscripts study into a recognized form of literary criticism. They have clearly demonstrated that manuscripts can be used for purposes other than establishing an accurate text of a work.
Although its raw material is a writer's manuscripts, genetic criticism owes more to structuralist and poststructuralist notions of textuality than to philology and textual criticism. As Genetic Criticism demonstrates, the chief concern is not the final text but the reconstruction and analysis of the writing process. Geneticists find endless richness in what they call the "avant-texte": a critical gathering of a writer's notes, sketches, drafts, manuscripts, typescripts, proofs, and correspondence. Together, the essays in this volume reveal how genetic criticism cooperates with such forms of literary study as narratology, linguistics, psychoanalysis, sociocriticism, deconstruction, and gender theory.
Genetic Criticism contains translations of eleven essays, general theoretical analyses as well as studies of individual authors such as Flaubert, Proust, Joyce, Zola, Stendhal, Chateaubriand, and Montaigne. Some of the essays are foundational statements, while others deal with such recent topics as noncanonical texts and the potential impact of hypertext on genetic study. A general introduction to the book traces genetic criticism's intellectual history, and separate introductions give precise contexts for each essay.
An important and timely examination of the interpretive possibilities of textual histories, Genetic Criticism provides a comprehensive survey of an increasingly significant form of contemporary literary criticism.
The volume ends with essays on topics of recent interest to geneticists. Philippe Lejeune addresses the paradox of reading autobiographies for their avant-textes, and Jean-Louis Lebrave argues that the theory of hypertexts has now reached the point where it can provide new and more accurate models for genetic studies, even of centuries-old manuscripts.
Jed Deppman has written separate introductions that outline each author's career and discuss each essay's specific purposes, methods, and arguments.
The collection begins with Louis Hay's overview of genetic criticism and continues with jean Bellemin-Noël's essay on the value of a psychoanalytic approach to genetic study. Pierre-Marc de Biasi's encyclopedia article, which spells out the principles and procedures of genetic study, closes the opening trio of general studies.
Next come six essays on the texts and avant-textes of specific authors. Raymonde Debray Genette studies the manuscripts of Flaubert's "A Simple Heart° to see how he crafted its ending; Jacques Neefs compares and contrasts the ideas Chateaubriand, Montaigne, and Stendhal had about the posthumous fate of their writings; Henri Mitterand inscribes Zola's Rougon-Macquart writings into their author's personal circumstances as well as broader cultural contexts; Daniel Ferrer and Jean-Michel Rabaté study the way Joyce manipulated and modernized the structure of the literary paragraph; closing this middle section, Almuth Grésillon and Catherine Viollet use concepts from linguistics to analyze Proust's manuscripts, Grésillon taking up issues of temporality and Viollet concentrating on gender and sexuality. Jed Deppman teaches comparative literature and English at Oberlin College. He has published articles on Flaubert, Valéry, Joyce, Dickinson, and other writers.
Daniel Ferrer is Director of Research at the Institut des Textes et Manuscrits Modernes at the Centre National de la Recherche Scientifique in Paris. He is the author of Virginia Woolf and the Madness of Language and coeditor of Post-Structuralist Joyce, Pourquoi la critique génétique? Méthodes, théories, and the ongoing "Finnegans Wake" Notebooks at Buffalo project.Genetic Criticism: Texts and Avant-textes (Material Texts) Overview
This volume introduces English speakers to genetic criticism, arguably the most important critical movement in France today. In recent years, French literary scholars have been exploring the interpretive possibilities of textual history, turning manuscript study into a recognized form of literary criticism. They have clearly demonstrated that manuscripts can be used for purposes other than establishing an accurate text of a work.Although its raw material is a writer's manuscripts, genetic criticism owes more to structuralist and poststructuralist notions of textuality than to philology and textual criticism. As Genetic Criticism demonstrates, the chief concern is not the "final" text but the reconstruction and analysis of the writing process. Geneticists find endless richness in what they call the "avant-texte": a critical gathering of a writer's notes, sketches, drafts, manuscripts, typescripts, proofs, and correspondence. Together, the essays in this volume reveal how genetic criticism cooperates with such forms of literary study as narratology, linguistics, psychoanalysis, sociocriticism, deconstruction, and gender theory.Genetic Criticism contains translations of eleven essays, general theoretical analyses as well as studies of individual authors such as Flaubert, Proust, Joyce, Zola, Stendhal, Chateaubriand, and Montaigne. Some of the essays are foundational statements, while others deal with such recent topics as noncanonical texts and the potential impact of hypertext on genetic study. A general introduction to the book traces genetic criticism's intellectual history, and separate introductions give precise contexts for each essay.


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