Subversive Sounds: Race and the Birth of Jazz in New Orleans Review

Subversive Sounds: Race and the Birth of Jazz in New Orleans
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Subversive Sounds: Race and the Birth of Jazz in New Orleans ReviewThis is a fascinating work about the origins of jazz in New Orleans. It is replete with biographical information on many of the key players, and references to specific jazz compositions. It is especially rich in its discussion of the relationship between the development of jazz and race relations, highlighting the role of each of the major racial groups (whites, African Americans, and Creoles). Readers familar with the history of Storyville will still learn alot from this book.Subversive Sounds: Race and the Birth of Jazz in New Orleans OverviewSubversive Sounds probes New Orleans's history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born.
This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans's complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. "More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class."—New Orleans Times-Picayune

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