Posted by Unknown on 10/25/2012 / Labels: essays
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I've read a lot of Sade's work, and a lot of this collection, but am left wondering whether once you dispense with God, whether this is all that's left.
Feminism has always struck me as institutionalized sadism. It burns men, and destroys them. This is the essence of it. Sade is a great justifier of acts as he puts a moral spin on what is the equivalent of getting fun out of hurting other people.
Women in recent years have turned towards Sade as a great explicator and justifier. This is why men on average are living five years less than women. It is all the things they do to us, and have always done, but that are now institutionalized. The feminist-sadist guru is Simone de Beauvoir, who loves the Marquis de Sade, and considers him to be a great moralist.
Read this book and smell the burning flesh of the concentration camps of the universities, the high schools, and the elementary schools. Sadism is the centerpiece of the left, and the very centerpiece of feminism. It is the black heart at the center of all the piety and self-importance, a black hole of rage that gets satisfaction through the humiliation, torment, and destruction of men and boys.Must We Burn Sade OverviewFor the last two hundred years, the name of the Marquis de Sade has had a singular power to evoke graphic images of the torturous and often murderous practices that bear his name. Sade himself has been labelled a sadomasochistic pornographer, and his works of fiction are considered by some to be the basis for the ideas that led to the Nazi death camps. "Must We Burn Sade?" peels away the layers of this negative legacy. This intriguing collection of essays examines the literary, theatrical, political, social, and philosophical aspects of Sade's writing, demonstrating that Sade's most important work concentrates on the constant struggle in humanity between virtue and vice, which can only be resolved by the creative and destructive impulses of nature. Like no writer before him, Sade shows that desire exists within the matrix of good and evil. This collection reveals Sade's influences and motivations, providing an understanding of society's fear of him while at the same time acquitting him of the false accusations that have plagued his name and his writing for far too long.Sade's words demand that we rethink our relationship to history, that we challenge traditional notions of right and wrong, and that we see the world as it really is. These demands come full circle as the contributors to this volume force us to rethink Sade himself.
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